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Shelley Duvall

Shelley Duvall

Birthday: 7 July 1949, Houston, Texas, USA
Birth Name: Shelley Alexis Duvall
Height: 173 cm

Shelley Alexis Duvall was born in Houston, Texas, to Bobbie Ruth (Massengale) and Robert Richardson Duvall, a lawyer. During her childhood, Shelley's mother humorously gave Shelley the nickname & ...Show More

Shelley Duvall
Acting isn't difficult. You just do it. Everybody in life acts anyhow, President Nixon, The Pope, ev Show more Acting isn't difficult. You just do it. Everybody in life acts anyhow, President Nixon, The Pope, even John Lennon. Hide
[on The Shining (1980) and Stanley Kubrick]: Stanley's head to head approach brought the very best o Show more [on The Shining (1980) and Stanley Kubrick]: Stanley's head to head approach brought the very best out of Jack, Scatman, me, Danny, everybody. The mixture of anger, frustration, and ideas made the film really fly. I might have hated him at the time, but I now see him as a really important filmmaker who gave me the role of my life and made me the sort of actress I never dared think I'd become. Hide
[on Stanley Kubrick's method of shooting multiple takes of every scene] Have you seen the film Groun Show more [on Stanley Kubrick's method of shooting multiple takes of every scene] Have you seen the film Groundhog Day (1993)? Well, that's what it was like. Hide
[on director Robert Altman] Nobody else calls him "Pirate" 'cept me. That's 'cuz I think he's the br Show more [on director Robert Altman] Nobody else calls him "Pirate" 'cept me. That's 'cuz I think he's the bravest, toughest, most imaginative man I've ever met. Hide
I might get killed, but I wouldn't die. I'd be born again as another me - or a lampshade, but I'll b Show more I might get killed, but I wouldn't die. I'd be born again as another me - or a lampshade, but I'll be on earth - always... (I) believe in everything and everybody existing forever and on and on in the same or other forms. Hide
[on working with Woody Allen on Annie Hall (1977)] He wanted "Faster! Faster!" That was my main note Show more [on working with Woody Allen on Annie Hall (1977)] He wanted "Faster! Faster!" That was my main note from him. He likes the dialogue to be fast and for a Texan, especially one who'd only been to New York a couple of times at that point, it was very difficult. Hide
Don't let any setback defeat you. The world doesn't end just because one thing goes wrong. Don't let any setback defeat you. The world doesn't end just because one thing goes wrong.
Life is all about movement, and when you stop moving, you're dead! That's my big philosophy -- it's Show more Life is all about movement, and when you stop moving, you're dead! That's my big philosophy -- it's all about motion. Life can change in the blinking of an eye, so you just have to appreciate every minute and keep going. Hide
[on filming The Shining (1980)] That was a life experience like the Vietnam War probably was for vet Show more [on filming The Shining (1980)] That was a life experience like the Vietnam War probably was for veterans. It was grueling -- six days a week, 12- to 16-hour days, half an hour off for lunch, for a year and one month. The role demanded that I cry for, whew, at least nine of those months. Jack [Nicholson] had to be angry all the time, and I had to be in hysterics all the time. It was very upsetting. Hide
There have been many amazing movies in the last decade or so. I always wonder what Stanley Kubrick w Show more There have been many amazing movies in the last decade or so. I always wonder what Stanley Kubrick would have done if he directed Inception (2010) or Donnie Darko (2001). I enjoyed them both. Hide
When I turned 18, I felt I was grown up. Then when I was 21, I reflected, "Boy, I was just a kid the Show more When I turned 18, I felt I was grown up. Then when I was 21, I reflected, "Boy, I was just a kid then; now I'm grown up." The same thing happened when I was 27. It wasn't until I was in my early 30s that I realized it was a futile goal to have. You're never grown up. We're all still dealing with the same hopes, same fears, same dreams that we had as children. Hide
[on director Terry Gilliam] Terry is one of those people that everybody wants to please, because he Show more [on director Terry Gilliam] Terry is one of those people that everybody wants to please, because he has such a great sense of humor, and he cares so much about his work, that he just makes everyone else care. Terry really is a true artist. In every way, he lives and breathes his work, and enjoys the hell out of it. Hide
When I play a character, at that moment nothing else exists. Certainly no theory. I try not to intel Show more When I play a character, at that moment nothing else exists. Certainly no theory. I try not to intellectualize. Hide
[on her memorable role in Popeye (1980)] God, as a child, I was so embarrassed when the kids would c Show more [on her memorable role in Popeye (1980)] God, as a child, I was so embarrassed when the kids would call me "Olive Oyl" because it meant you were skinny as a rail, you had sparrow legs, and an Adam's apple. I mean, who wants to admit she was born to play Olive Oyl? Hide
The trick to acting is not to be afraid. If you're not afraid of making mistakes, you usually don't Show more The trick to acting is not to be afraid. If you're not afraid of making mistakes, you usually don't make them. Hide
[on filming Nashville (1975)] Lily Tomlin said we were like twenty-four big kids in a play pen. Whic Show more [on filming Nashville (1975)] Lily Tomlin said we were like twenty-four big kids in a play pen. Which is absolutely true. Hide
[on working with Stanley Kubrick on The Shining (1980)] For a person so charming and so likable - in Show more [on working with Stanley Kubrick on The Shining (1980)] For a person so charming and so likable - indeed lovable - he can do some pretty cruel things when you're filming. Because it seemed to me, at times, that the end justified the means. I wouldn't trade the experience for anything. Why? Because of Stanley, and it was a fascinating learning experience. But I wouldn't want to go through it again. Hide
If I had listened to everyone who told me no, I'd never have gotten anything accomplished. When I re Show more If I had listened to everyone who told me no, I'd never have gotten anything accomplished. When I really believe in something and someone says, "You can't do it," it just spurs me on. Hide
[on working with Stanley Kubrick] Well, of course, Robert Altman was almost the only director I'd ev Show more [on working with Stanley Kubrick] Well, of course, Robert Altman was almost the only director I'd ever worked with. It was time for me to test my own legs. There was a kind of possessiveness about Bob. He put me in so many of his films, but apart from him, I wasn't getting offered a lot of roles - hardly any, for that matter. It was like he was the only one with any confidence in me. So here was my chance to work with Kubrick. Hide
I struggled to get a decent acting job for years, before finally giving it a rest for a while. It wo Show more I struggled to get a decent acting job for years, before finally giving it a rest for a while. It would be great to start all over again, if the right role came along. Hide
Tim Burton is just a gem. He is very quiet and shy, believe it or not, but very funny too. Tim Burton is just a gem. He is very quiet and shy, believe it or not, but very funny too.
I'm not a fan of CGI, I think it's a bit lazy. Look at what many filmmakers accomplished before it c Show more I'm not a fan of CGI, I think it's a bit lazy. Look at what many filmmakers accomplished before it came along! Hide
[on Robert Altman] Bob is like family, I trust him almost implicitly. He would never do anything to Show more [on Robert Altman] Bob is like family, I trust him almost implicitly. He would never do anything to hurt me. Bob won my trust right at the beginning. He encouraged me to be myself, to never take acting lessons or to take myself too seriously. Hide
Shelley Duvall's FILMOGRAPHY
as Actor (83)
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